2026 Workshops – Term 3, August

WORKSHOPS 2026 – OPEN TO MEMBERS & NON-MEMBERS

Jan Prislin-Planinc

Drawing

From Purely Observational to Uniquely Expressive

Basic drawing skills an advantage but not essential

2 x half day sessions

Sunday 23 August and Sunday 6 September
1 pm – 4 pm

Members: $100 Non-members: $120
Afternoon tea provided.
Book: Jan Prislin-Planinc janprislin.planinc@gmail.com OR sms 0408 488 759

Lines and marks are our personal language as artists and in this course we will look at different ways to push that artistic expression even further. It will include exercises to stimulate our imagination, respond with spontaneity and draw not just ‘correctly’ from observation but in ways that truly express how we feel about particular subject matter.

This involves engaging our artist’s eye and mind and looking at more than just the ‘physical’ aspect of it, allowing the associations and feelings we have to translate into deeply personal and expressive drawing.

Jan Prislin-Planinc: Observational to Expressive Drawing. 3 botanical sketches in black, white and sepia.

Jan Prislin-Planinc: Observational to Expressive Drawing

Bold and Glow in Watercolour

Rehann Vazid

Sunday 30 August, 10am – 4pm

Members: $100 Non-members: $120
Afternoon tea provided.
Book: peninsulaartssociety.org.au/pay-workshop/

Learning more or starting out

This workshop builds on the ideas explored in Rehann’s previous 2 workshops, while still serving as an excellent introduction to his Bold and Glow techniques for anyone joining for the first time. He’ll revisit the fundamentals and cover exercises that focus on understanding and executing wet-into-wet technique.

Watercolour seascape of a sunlit headland by Rehann Vazid

Watercolour by Rehann Vazid

Rehan Vazid - Dadasdadarar - Watercolour painting of steep mountains reflected in a lake.

Rehan Vazid – Watercolour

What you will learn

  • Water and pigment control — understanding the relationship between the amount of water, the strength of colour and the timing of a wash.
  • Edge Control or lack thereof — understanding where an edge should be hard, soft or disappear altogether.
  • Colour harmony & temperature — using warm and cool relationships to suggest light, atmosphere and depth.
  • Brushwork — making marks that describe rather than decorate and learning when to leave the painting alone.

How you will learn

Through live demonstrations, guided paint-alongs and individual feedback.